Culture Greyhound

50. The Go! Team – Rolling Blackouts

The third album from the Go! Team is slightly more mature, but only slightly. The cheerleader chants are here, the rollerskating rap staples are alive and well, yes, but leader Ian Parton amps up the instrumentals and girl group numbers. There’s more variation, more challenging diversity, more fun. Overall, a satisfying listen from a group determined to build upon a winning formula.

49. Fleet Foxes – Helplessness Blues

The title track describes how one feels upon realizing they are not necessarily as unique as they were raised to believe, but rather discovering what machine in the world they want to be a cog for. It’s an all-too real feeling for most people, particularly Generation Y’ers, and not only are Fleet Foxes tackling it lyrically, they’re doing so musically as well, building upon their glorious, harmonious sound. The results may not give any solid answers, but they are rewarding nonetheless.

48. Green Day – Awesome As Fuck

Green Day’s second official live album predictably gives its share of live versions from their latest album, but the middle third is so satisfyingly punk and old skool you can feel the energy eeking out of your speakers. For anyone who’s never seen this band’s full throttle live show, let this serve as a reminder you need to put Green Day on your bucket list.

47. Unknown Mortal Orchestra – S/T

The Internet can provide a perfect sense of anonymity for those who wish to share art, but are a little camera shy. We’ve seen it many times over the years, and we can chalk up UMO as the latest, a band from Portland we knew very little about for a long time. What their art tells us is that they have incredible, hooky potential for the forseeable future. This is a strong, half-hour long, infectious, lo-fi debut.

46. The Decemberists – The King Is Dead

After the conceptual mess that was The Hazards of Love, Colin Meloy has reined it in and gone back to the beginning for this refreshing album. Keeping it short and sweet at 10 tracks in 40 minutes, there’s nothing here to bore. The focus of melody, the natural blending of rock and folk, and the sharpness of Meloy’s voice all blend together for one of the band’s strongest albums in years.

45. Cass McCombs – Wit’s End

Not for the faint of heart, McCombs has outdone himself with despair. If Catacombs was a tribute to loneliness, Wit’s End contains the sounds that inspired the entire concept of loneliness. He has always been one to delve into somber emotions and downtrodden structure, but here McCombs digs the hole further, albeit with his most subtle, subdued, and brilliant songwriting yet.

44. EMA – Past Life Martyred Saints

I’ve mentioned before this album has many different sounds, but you’re just going to have to listen to understand. Never have I heard someone throw so much at the dartboard and hit the bull’s eye so consistently. An album of this ambition usually is dismissed as directionless, but the one theme tying it all together is the raw, unbridled, and unafraid emotion throughout.

43. I Break Horses – Hearts

This is a disc too many people slept on. Incorporating shoegaze, dream-pop, and dense instrumentation, this new band have created a meticulous, enjoyable, and surprisingly precise debut. The flaws here, of which there are few, give a human quality to the grand soundscape the band has made, which only supports the notion I Break Horses are just getting started.

42. Teams vs. Star Slinger – S/T EP

What happens when you get a producer who specializes in ambient sounds and combine him with a rising star, high hat heavy DJ who just wants to make booties shake? One of the most interesting, fun, and repeatable EPs of the year. And definitely booty shaking. Lots of it. The sound texture and beat structure work great together here, and the chosen samples only amplify the enjoyment.

41. Dominique Young Unique – Glamorous Touch Mixtape

Dominique’s been busy, churning out three mixtapes in a year and half. This one, the strongest of her latest two, finds the Florida-bred female rapper spitting her trademark rapid-fire delivery alongside unusual beats and rock-inspired sounds. If Domination was the strong introduction, Glamorous Touch is proof this girl can rap over almost anything. It’s also proof we should keep an eye out for her in the future.

We’ve discussed the overrated and the disappointing, but there were also a ton of albums in 2011 that were absolutely great. Since I only make a Top 50, there were several I felt deserved recognition, but had strong superior competition. Here, in alphabetical order, are 25 of the best albums of this year that just missed the final cut. Spotify/Download/Buy links provided below.

Battles – Gloss Drop

Beastie Boys – Hot Sauce Committee Part Two

The Cars – Move Like This

Cheeseburger – Another Big Night Down the Drain

The Civil Wars – Barton Hollow

Clams Casino – Rainforest EP

Cults – S/T

Cymbals Eat Guitars – Lenses Alien

Dawes – Nothing Is Wrong

DJ Quik – The Book of David

Dom – Family of Love EP

Fucked Up – David Comes to Life

Gil Scott-Heron and Jamie xx – We’re New Here

Lykke Li – Wounded Rhymes

J Mascis – Several Shades of Why

Cass McCombs – Humor Risk

Panda Bear – Tomboy

Pictureplane – Thee Physical

R.E.M. – Collapse Into Now

Paul Simon – So Beautiful Or So What

Martin Solveig – Smash

Thee Oh Sees – Carrion Crawler/The Dream

Shugo Tokumaru – Port Entropy

White Denim – D

Wiz Khalifa – Rolling Papers

Compared to the past couple of years, I was underwhelmed with the number of awesome remixes I heard in 2011. Not that they weren’t out there, I just didn’t mosey upon them. So if by chance you don’t see one of your favorites listed here, send it my way or comment, by all means.

Regular readers will not be surprised to find a plethora of Star Slinger on here; he’s one of my favorite current producers. There are others here as well, and he doesn’t get the top spot. Also it should be noted, for those uninitiated, that I’m a big club and house fan, so other styles are likely under-represented here. I enjoy dance music, but I’m not going to pretend I know a lot about it. Like most of my year-end lists, this is basically just a ranked list of remixes I heard that I enjoyed. YouTube links are provided, and listening to these tracks loudly is highly encouraged.

20. Star Slinger – Dumbin’ (Diplo Remix)

19. The Rapture – How Deep Is Your Love (A-Trak Dub aka Dub For Mehdi)

18. Escort – Cameleon Chameleon (Club Remix)

17. Trombone Shorty – Do To You (Star Slinger Remix)

16. Jamie Woon – Lady Luck (Hudson Mohawke’s Schmink-Wolf Refix)

15. XV – Swervin’ (Clams Casino Remix)

14. Tyson – Out of My Mind (Star Slinger Remix)

13. Star Slinger – How Will I Copulate (Moranis Mashup feat. Whitney Houston)

12. Aaliyah – Are You That Somebody (Hudson Mohawke Remix)

11. James Vincent McMorrow – If I Had a Boat (Star Slinger’s R ‘n’ B Thug Mix)

10. Gold Panda – Marriage (Star Slinger Remix)

9. Ra Ra Riot – Too Dramatic (The Kids Are Radioactive Remix)

8. Pony Pony Run Run – Hey You (Star Slinger Remix)

7. Alex Winston – Sister Wife (Star Slinger Remix)

6. The Go! Team – Apollo Throwdown (Star Slinger Remix)

5. Rizzle Kicks – Down With the Trumpets (Star Slinger Remix)

4. Coldplay – Every Teardrop Is a Waterfall (Swedish House Mafia Remix)

3. Childish Gambino – Freaks and Geeks (Star Slinger Remix)

2. Bingo Players – Cry (Just a Little) (Kids at the Bar Bootleg Remix)

1. The Joy Formidable – Whirring (Innerpartysystem Remix)

20. Wiz Khalifa – Roll Up

Delivering sing-song verses, that trademark stoner laugh, and a chorus you’ve memorized by the second time you’ve heard it, Wiz Khalifa might be one of the laziest rappers on Top 40 radio. But that’s exactly the point. He’s not some uptight, eccentric, crazy ambitious, domineering figure. He’s that pot-smoking friend who’s down for whatever, and if your down, he’s down. The most casual summer jam of the year.

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50. Surfer Blood – Miranda

To whet our appetite in between LPs, Surfer Blood released a rocking little EP featuring this excellent little tune.

49. Starsmith – Lesson One

Another band I know little about, but this played nonstop in my car last spring. A great ode to the unrequited and the ones that got away.

48. Cloud Nothings – Understand At All

Another catchy lo-fi power pop rocker from this group’s self-titled debut. Enjoy it while you can, because the follow-up promises to be darker and more ambitious.

47. Kreayshawn – Gucci Gucci

This Internet sensation crept onto FM radio with this undeniable, absolutely fun track. Bonus points for rhyming “over me” with “ovaries.”

46. Born Gold – Decimate Everything

My first introduction to the newly named Born Gold, and I was immediately hooked. There is a remarkable gift here in making the unorganized sound so irresistible.

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100. The Strokes – Under Cover of Darkness

When the band sticks to what they know, they sound great. Angles is a hot-and-cold album, but this is the first of two tracks that showcases the former.

99. Born Gold – Wrinklecarver

Originally released as former project Gobble Gobble, nothing has been done to this track in terms or re-mixing or mastering, but it just sounds better in context within the new album Bodysongs.

98. St. Vincent – Cheerleader

Another highlight from Strange Mercy – here Annie Clark shows off her knack for start-stop surprises around what sounds conventional at first, then grows to be beautifully unusual.

97. Drake – Lord Knows (featuring Rick Ross)

The snare hits, the booming bass, the background vocals, that “Just Blaze!” intro, the use of the phrase “Murdercedez Benz.” What’s not to love here?

96. Wiz Khalifa – The Race

One of the more down-tempo tracks on the fun Rolling Papers, Wiz drops a chill-out anthem for the end of the night when you just wanna light one up and take it easy.

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150. Drake feat. The Weeknd – Crew Love

This is the first of many times for both these artists on the list. Here the Weeknd provides his eerie tortured-party R&B before the beat drops and Drake laments.

149. Cass McCombs – County Line

McCombs brings another signature somber note in his trademark melancholy falsetto. One of my favorites from Wit’s End.

148. Fleet Foxes – Helplessness Blues

The first verse of this track more or less describes my life right now – realizing we are not unique snowflakes but small cogs in a machine we don’t know about yet. Simple, yet poignant.

147. The Joy Formidable – Magnifying Glass

From the maniacal laughter to the thumping stomp of that chorus to those wailing guitars, Joy Formidable claim the throne as the loudest new band of 2011.

146. YACHT – Dystopia

A play on an old R-rated cheerleader chant becomes a boogie-worthy ode to the end of the world. In typical Yacht fashion, it makes you wanna dance around the flames.

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There are quiet moments, but overall this year’s song countdown is crazy upbeat; you’ve gotta be an uptight jerk not to enjoy at least some of what’s here. For the most part, this collection of songs from 2011, while decidedly less diverse than in past years, still perfectly captures my mood and preference. I’ll be counting down until Friday – feel free to browse, listen, discover, disagree, etc. I’ll publish a Spotify playlist at the end with most of the tracks on there; the rest can be found via YouTube below and on subsequent posts.

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Thirty of my favorites from this year, unranked, in alphabetical order.

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A recent NBC/WSJ poll revealed 76% of Americans consider 2011 to be a “below average” year or “one of the worst” in their lives. Certainly times are tough in the world. Obama is a lame duck, and the competing Republicans are clinically insane adulterers and fundamentalists. The economy remains on the brink of collapse; Congress is a brainless, yelling mob of idiocy. REM broke up. Limp Bizkit got back together.

Musically speaking, do I consider 2011 to be a disappointing year overall? Not really, but I don’t consider it to be a revelatory one either. So I’m indifferent. That said, as is the case with every year, 2011 had its share of disappointments. Maybe in these five cases, my expectations were set unreasonably high. But for at least a couple, I don’t think that’s the situation; some of these albums just flat-out suck.

Radiohead – King of Limbs

This is a good album. Not a great one. And when it comes to Radiohead, “great” is the caliber the world expects. Perhaps that’s unfair, but it’s realistic. It took them a while, but they finally churned out a dud. Is it challenging? Yes. Is it ambitious? Absolutely. Does it sound forced, lost, sometimes even lazy? Unfortunately, but definitely. I look forward to hearing the next great transformation in the sound of Radiohead, because this was obviously a stumbling transition of some sort.

Tyler the Creator – Goblin

It’s incredible how one album can utterly silence an excited mob. Count me as one of the many who saw Odd Future at SXSW, on Jimmy Fallon, and was psyched to hear Tyler’s new solo outing. With the exception of “Yonkers” this is a complete mess from start to finish. It is patently offensive in an auditory, not lyrical, sense. The real disgust lies not within the misogynistic, homophobic verses, but the tuneless, boring dreck that surrounds them. Unlistenable.

Washed Out – Within and Without

Speaking of boring….I guess I should have seen this one coming. Abandoning the fun, infectious, danceable influence evident on the excellent Life of Leisure EP, Ernest Greene conjured up a full-length full of mood, but absolutely nothing that stands out.

The Strokes – Angles

That dreadful, thrown-together album cover says it all, doesn’t it? How bummed were you after hearing this all the way through for the first time? What a sinking feeling. Exactly three tracks here are great, even if they’re not exactly progressive. The rest is uncharacteristically confused. The listener feels the same way the band probably did after finishing this: what?

Justice – Audio Video Disco

It’s generally expected when you take four years to make a follow-up to a critically acclaimed debut, that means you’re taking some risks, trying some new things, and the result will be an interesting one. That’s exactly what Justice did. In fact, that’s all they did. Going the way of MGMT, there’s very little here that sounds even remotely like the 2007 French house duo that isn’t Daft Punk. More prog than anything else, Audio Video Disco throws a lot of spaghetti at the wall, and almost none of it sticks. Props for changing the formula, but I would have preferred a simple Cross Part 2.