Dec 25 2011

Honorable Mention Albums of 2011

We’ve discussed the overrated and the disappointing, but there were also a ton of albums in 2011 that were absolutely great. Since I only make a Top 50, there were several I felt deserved recognition, but had strong superior competition. Here, in alphabetical order, are 25 of the best albums of this year that just missed the final cut. Spotify/Download/Buy links provided below.

Battles – Gloss Drop

Beastie Boys – Hot Sauce Committee Part Two

The Cars – Move Like This

Cheeseburger – Another Big Night Down the Drain

The Civil Wars – Barton Hollow

Clams Casino – Rainforest EP

Cults – S/T

Cymbals Eat Guitars – Lenses Alien

Dawes – Nothing Is Wrong

DJ Quik – The Book of David

Dom – Family of Love EP

Fucked Up – David Comes to Life

Gil Scott-Heron and Jamie xx – We’re New Here

Lykke Li – Wounded Rhymes

J Mascis – Several Shades of Why

Cass McCombs – Humor Risk

Panda Bear – Tomboy

Pictureplane – Thee Physical

R.E.M. – Collapse Into Now

Paul Simon – So Beautiful Or So What

Martin Solveig – Smash

Thee Oh Sees – Carrion Crawler/The Dream

Shugo Tokumaru – Port Entropy

White Denim – D

Wiz Khalifa – Rolling Papers


Dec 21 2011

The Top 200 Songs of 2011 – 100-51

100. The Strokes – Under Cover of Darkness

When the band sticks to what they know, they sound great. Angles is a hot-and-cold album, but this is the first of two tracks that showcases the former.

99. Born Gold – Wrinklecarver

Originally released as former project Gobble Gobble, nothing has been done to this track in terms or re-mixing or mastering, but it just sounds better in context within the new album Bodysongs.

98. St. Vincent – Cheerleader

Another highlight from Strange Mercy – here Annie Clark shows off her knack for start-stop surprises around what sounds conventional at first, then grows to be beautifully unusual.

97. Drake – Lord Knows (featuring Rick Ross)

The snare hits, the booming bass, the background vocals, that “Just Blaze!” intro, the use of the phrase “Murdercedez Benz.” What’s not to love here?

96. Wiz Khalifa – The Race

One of the more down-tempo tracks on the fun Rolling Papers, Wiz drops a chill-out anthem for the end of the night when you just wanna light one up and take it easy.

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Dec 20 2011

The Top 200 Songs of 2011 – 150-101

150. Drake feat. The Weeknd – Crew Love

This is the first of many times for both these artists on the list. Here the Weeknd provides his eerie tortured-party R&B before the beat drops and Drake laments.

149. Cass McCombs – County Line

McCombs brings another signature somber note in his trademark melancholy falsetto. One of my favorites from Wit’s End.

148. Fleet Foxes – Helplessness Blues

The first verse of this track more or less describes my life right now – realizing we are not unique snowflakes but small cogs in a machine we don’t know about yet. Simple, yet poignant.

147. The Joy Formidable – Magnifying Glass

From the maniacal laughter to the thumping stomp of that chorus to those wailing guitars, Joy Formidable claim the throne as the loudest new band of 2011.

146. YACHT – Dystopia

A play on an old R-rated cheerleader chant becomes a boogie-worthy ode to the end of the world. In typical Yacht fashion, it makes you wanna dance around the flames.

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Jun 7 2010

My Top 300 Songs of the 2000s – 250-241

Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time.

250. Rage Against the Machine – How I Could Just Kill a Man

For most of the decade, 3/4 of Rage were in shitty solo projects or the inevitably dreadful Audioslave.  The other 1/4 released a new song every once in a while and lived off his earnings from the 90’s (that one is Zach).  There were a few reunion shows – most of which sent people to the hospital – but overall the boys weren’t really raging much in the 2000’s.  But at the turn of the century, before the nasty breakup, Rage put out their final studio album Renegades, a pretty kickass covers album.  And although this Cypress Hill remake is a pretty straightforward take on the original, it still hits hard, the way these guys always knew how to.

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