I would like to say it was a long process determining whether or not this was one of my favorite albums of the year, but its placement pretty much nulls that. Cred be damned, this was a no-brainer for me. It’s smart, it’s funny, the production is pristine, and the comedic, cameo-filled results reveal these guys worked a lot harder on this sophomore release than we would guess.
I was admittedly worried our favorite Akron duo was releasing a follow-up to the huge hit Brothers too soon after their inevitable breakthrough. Would they pull a Kings of Leon and give us limelight-influenced, second-rate dreck? In hindsight, I feel stupid for thinking such a thing. The Black Keys have their shtick down, and they’re able to tweak it ever so slightly for an interesting effect, but never a disappointing experience.
Jonathan Bates has been the leader of Mellowdrone for years, but in 2010 he took some time off to experiment with an electronic-based project. He collaborated with M83, released some singles, and garnered enough hype for a full-length. The result is a spell-binding, futuristic take on the subdued, reticent sounds of his primary project.
This Partisan Records supergroup turned heads at SXSW this year, and the group’s debut gives each each songwriter their fair share of time to shine. Deer Tick’s John McCauley, Dawes’ Taylor Goldsmith, and Delta Spirit’s Matt Vasquez deliver a promising debut of collaborative songs and infectious melodies.
The cover may give one an urge to watch Saved By the Bell reruns, but the EP itself is more of a distorted, lo-fi take on the dirtier works of bands like L7 and other early 90’s greats. Whooshing sounds, piano clinks, and loud-ass guitars envelop the listener on this introduction to a band to watch in 2012.
Austin’s very own delivered a more approachable take on the deafening sounds of My Bloody Valentine and other formidable shoegazers. The sound is here, but the mood is all too different; cacophonies of sound give way to catchy melodies and casual lyrics. Those wishing to mope might want to look elsewhere, because you might be more inclined to dance.
Some would say Total is derivative of superior work, and it’s too little too late for a producer who had been hyped since 2007, when this sound was in full swing, but has just now released his first full-length. And I wouldn’t argue with any of that. But while Daft Punk scores Disney movies and Justice errs in creating prog rock, Sebastian gave me my French house fix I so desperately needed.
After a well-deserved amount of praise for Heavy Days, the Nashville guitar-and-drum duo churned out a victory lap. That’s not to suggest We Are the Champions is exactly the same album, though the raucous vibe we’ve come to adore is present. There are new ventures here, including a dynamite foray into new wave mixed in with good old fashioned garage punk.
If you were looking for Love Comes Close Part 2, you were likely disappointed in this challenging follow up. More Bauhaus than “Bizarre Love Triangle,” Cold Cave have reinvented themselves by channeling their dark side to another great era of 80’s rock, and the results grow on you track by track.
One look at that awesome album cover should give you a sense of what you’re walking into – Channel Pressure is probably the strongest homage to the sounds of the 80’s in recent memory. But this isn’t merely a replication of the Miami Vice – subtle structure and hidden surprises lie within repeated listens. Dark instrumentals, upbeat synth pop, and total freak-outs galore, there’s never a dull moment here.
Delivering sing-song verses, that trademark stoner laugh, and a chorus you’ve memorized by the second time you’ve heard it, Wiz Khalifa might be one of the laziest rappers on Top 40 radio. But that’s exactly the point. He’s not some uptight, eccentric, crazy ambitious, domineering figure. He’s that pot-smoking friend who’s down for whatever, and if your down, he’s down. The most casual summer jam of the year.
When the band sticks to what they know, they sound great. Angles is a hot-and-cold album, but this is the first of two tracks that showcases the former.
Originally released as former project Gobble Gobble, nothing has been done to this track in terms or re-mixing or mastering, but it just sounds better in context within the new album Bodysongs.
Another highlight from Strange Mercy – here Annie Clark shows off her knack for start-stop surprises around what sounds conventional at first, then grows to be beautifully unusual.
One of the more down-tempo tracks on the fun Rolling Papers, Wiz drops a chill-out anthem for the end of the night when you just wanna light one up and take it easy.
This is the first of many times for both these artists on the list. Here the Weeknd provides his eerie tortured-party R&B before the beat drops and Drake laments.
The first verse of this track more or less describes my life right now – realizing we are not unique snowflakes but small cogs in a machine we don’t know about yet. Simple, yet poignant.
From the maniacal laughter to the thumping stomp of that chorus to those wailing guitars, Joy Formidable claim the throne as the loudest new band of 2011.
A play on an old R-rated cheerleader chant becomes a boogie-worthy ode to the end of the world. In typical Yacht fashion, it makes you wanna dance around the flames.
There are quiet moments, but overall this year’s song countdown is crazy upbeat; you’ve gotta be an uptight jerk not to enjoy at least some of what’s here. For the most part, this collection of songs from 2011, while decidedly less diverse than in past years, still perfectly captures my mood and preference. I’ll be counting down until Friday – feel free to browse, listen, discover, disagree, etc. I’ll publish a Spotify playlist at the end with most of the tracks on there; the rest can be found via YouTube below and on subsequent posts.
Today is Labor Day and I’m a week into school, so for me, and many others, summer 2011 is over and done with, even though my thermometer and the official calendar would disagree. Last night it cooled down here in Austin to “West Texas evening” degrees, which is good enough for me to declare that autumn approacheth, though it’s probably going to take its sweet time getting here. Anywho, as is the case this time every year, I have compiled a short list of my “songs of the summer.” Some people like lazy-time summers filled with laid-back tunes and relaxing choruses. Me, I’m more of a “let’s dance all season long” kind of guy, and this selection reflects that. What are your favorite songs from the past 3-4 months? What were you rocking while dehydrating?
Once every three months I list the best of what I heard in albums/songs/remixes for the quarter. I do this to personally keep up with all the awesome music I hear, as it ultimately helps me at the end of the year when I do my overall listing for the previous twelve months. I also do it to introduce you cool cats to tunes you may have missed independently.
While not nearly as interesting overall as the breakthrough Mirrored, the follow-up is a solid, energetic, easy progression from Battles’ previous work. Â Now without their standout member Tyondai Braxton, the group has started from scratch, rising to the challenge of delivering a strong follow-up to one of the most acclaimed albums of the past ten years, and without the guy who was considered the bread and butter. Â Battles have created a more accessible album, albeit not without a bit of filler here and there, but one that pairs up nicely, incorporating older Battles sounds with the driving punch of their breakout material.
Once every three months I list the best of what I heard in albums/songs/remixes for the quarter. I do this to personally keep up with all the awesome music I hear, as it ultimately helps me at the end of the year when I do my overall listing for the previous twelve months. I also do it to introduce you cool cats to tunes you may have missed independently.
