Once every three months I list the best of what I heard in albums/songs/remixes for the quarter. I do this to personally keep up with all the awesome music I hear, as it ultimately helps me at the end of the year when I do my overall listing for the previous twelve months. I also do it to introduce you cool cats to tunes you may have missed independently.
Last year’s debut from this crew was easily one of my favorites, and now this Portland-based band returns with a poppy, spacey single that highlights the trademark sound and nuanced style these guys always deliver.
50. The Go! Team – Rolling Blackouts
The third album from the Go! Team is slightly more mature, but only slightly. The cheerleader chants are here, the rollerskating rap staples are alive and well, yes, but leader Ian Parton amps up the instrumentals and girl group numbers. There’s more variation, more challenging diversity, more fun. Overall, a satisfying listen from a group determined to build upon a winning formula.
49. Fleet Foxes – Helplessness Blues
The title track describes how one feels upon realizing they are not necessarily as unique as they were raised to believe, but rather discovering what machine in the world they want to be a cog for. It’s an all-too real feeling for most people, particularly Generation Y’ers, and not only are Fleet Foxes tackling it lyrically, they’re doing so musically as well, building upon their glorious, harmonious sound. The results may not give any solid answers, but they are rewarding nonetheless.
48. Green Day – Awesome As Fuck
Green Day’s second official live album predictably gives its share of live versions from their latest album, but the middle third is so satisfyingly punk and old skool you can feel the energy eeking out of your speakers. For anyone who’s never seen this band’s full throttle live show, let this serve as a reminder you need to put Green Day on your bucket list.
47. Unknown Mortal Orchestra – S/T
The Internet can provide a perfect sense of anonymity for those who wish to share art, but are a little camera shy. We’ve seen it many times over the years, and we can chalk up UMO as the latest, a band from Portland we knew very little about for a long time. What their art tells us is that they have incredible, hooky potential for the forseeable future. This is a strong, half-hour long, infectious, lo-fi debut.
46. The Decemberists – The King Is Dead
After the conceptual mess that was The Hazards of Love, Colin Meloy has reined it in and gone back to the beginning for this refreshing album. Keeping it short and sweet at 10 tracks in 40 minutes, there’s nothing here to bore. The focus of melody, the natural blending of rock and folk, and the sharpness of Meloy’s voice all blend together for one of the band’s strongest albums in years.
45. Cass McCombs – Wit’s End
Not for the faint of heart, McCombs has outdone himself with despair. If Catacombs was a tribute to loneliness, Wit’s End contains the sounds that inspired the entire concept of loneliness. He has always been one to delve into somber emotions and downtrodden structure, but here McCombs digs the hole further, albeit with his most subtle, subdued, and brilliant songwriting yet.
44. EMA – Past Life Martyred Saints
I’ve mentioned before this album has many different sounds, but you’re just going to have to listen to understand. Never have I heard someone throw so much at the dartboard and hit the bull’s eye so consistently. An album of this ambition usually is dismissed as directionless, but the one theme tying it all together is the raw, unbridled, and unafraid emotion throughout.
43. I Break Horses – Hearts
This is a disc too many people slept on. Incorporating shoegaze, dream-pop, and dense instrumentation, this new band have created a meticulous, enjoyable, and surprisingly precise debut. The flaws here, of which there are few, give a human quality to the grand soundscape the band has made, which only supports the notion I Break Horses are just getting started.
42. Teams vs. Star Slinger – S/T EP
What happens when you get a producer who specializes in ambient sounds and combine him with a rising star, high hat heavy DJ who just wants to make booties shake? One of the most interesting, fun, and repeatable EPs of the year. And definitely booty shaking. Lots of it. The sound texture and beat structure work great together here, and the chosen samples only amplify the enjoyment.
41. Dominique Young Unique – Glamorous Touch Mixtape
Dominique’s been busy, churning out three mixtapes in a year and half. This one, the strongest of her latest two, finds the Florida-bred female rapper spitting her trademark rapid-fire delivery alongside unusual beats and rock-inspired sounds. If Domination was the strong introduction, Glamorous Touch is proof this girl can rap over almost anything. It’s also proof we should keep an eye out for her in the future.
150. Drake feat. The Weeknd – Crew Love
This is the first of many times for both these artists on the list. Here the Weeknd provides his eerie tortured-party R&B before the beat drops and Drake laments.
149. Cass McCombs – County Line
McCombs brings another signature somber note in his trademark melancholy falsetto. One of my favorites from Wit’s End.
148. Fleet Foxes – Helplessness Blues
The first verse of this track more or less describes my life right now – realizing we are not unique snowflakes but small cogs in a machine we don’t know about yet. Simple, yet poignant.
147. The Joy Formidable – Magnifying Glass
From the maniacal laughter to the thumping stomp of that chorus to those wailing guitars, Joy Formidable claim the throne as the loudest new band of 2011.
146. YACHT – Dystopia
A play on an old R-rated cheerleader chant becomes a boogie-worthy ode to the end of the world. In typical Yacht fashion, it makes you wanna dance around the flames.
Japandroids – Tonight @ Mohawk
Ty Segall – 9/17 @ Mohawk
Toro y Moi/Unknown Mortal Orchestra – 10/8 @ Mohawk
Star Slinger – 10/12 @ Beauty Bar
Reverend Peyton’s Big Damn Band – 9/30 @ Emo’s
The self-titled debut from Unknown Mortal Orchestra (album art above) is a lo-fi psychedelic pop adventure from start to finish, and it’s easily one of the finest surprises of the year. New Zealand-born Ruban Nielson acts as a clever liaison between Ariel Pink tape-hiss, Zappa eccentricities, Tame Impala space-outs, and the ever-popular indie dance vibe akin to first-album MGMT.
This is a smooth transition to autumn – a soundtrack upbeat enough to get that final dance in before the temp drops and the relaxed atmosphere returns. The Portland band utilizes the sample-based trend and electronic percussion, incorporates the recently hyped garage sound, and taps into some genuine stoner haze. Living in Austin, and hearing constantly how similar the two towns are, I can imagine an ATX band churning out something similar. It’s perfect for the environment of a hipster haven – a society encouraging creation, diversity, and sheer weirdness. So if you don’t dig Unknown Mortal Orchestra, never fear; there’s probably room for you in Dallas.
