Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time.
20. The Postal Service – Such Great Heights
My favorite Ben Gibbard album is Give Up, even amongst all those great early Death Cab masterpieces. Before the twee synth became commonplace, Gibbard took it to every first-generation iPod, car commercial, and teen soap montage (I’m looking at you, The O.C.). And of course, he did so with this song, still as beautiful as I remember it back on WOXY-FM my sophomore year of high school.
Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time. 30. Johnny Cash – Hurt
Some artists are so talented they have the capability to make a cover song sound like their very own creation. Â The Beatles, Tom Waits, and, most recently, Lissie, come to mind. Â But no one did it like the Man In Black. Â Johnny took Soundgarden’s grunge-ridden “Rusty Cage” and made it a Wild West, gun slinging, outlaw affair. Â And then he took Nine Inch Nails’ haunting, spooky “Hurt” and turned it into a somber deathbed lamentation.
Once every three months I list the best of what I heard in albums/songs/remixes for the quarter. I do this to personally keep up with all the awesome music I hear, as it ultimately helps me at the end of the year when I do my overall listing for the previous twelve months. I also do it to introduce you cool cats to tunes you may have missed independently.
Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time. 40. Junior Senior – Move Your Feet
Lost to the forgotten one-hit wonder ether that is the early 2000’s indie world, Junior Senior’s most memorable track is one of the decade’s best, and definitely one of the danciest. Â The duo was a profile-worthy pairing – a skinny little straight guy and an overweight, flamboyantly gay guy. Â The spirit was one of fun-loving shimmying and partying, and “Move Your Feet” is the highlight.
Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time.
50. Passion Pit – Sleepyhead
Named my favorite song of 2009, I’ve already explained how much I love this song. Even a casual reader of the blog knows how many times I’ve blared it loudly, as I’m doing right now. It never gets old. The song is littered with hooks – in the singing, in the wordless chorus, in the sampling, in the background synths. It all just works. And Passion Pit will likely never top it.
Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time.
60. Andrew WK – Party Hard
I love how everyone initially detested this guy, as if I Get Wet wasn’t the most awesome thing they had ever heard ever. Pitchfork, in their infinite indie wisdom, called this frat boy rock, which it probably is, in all truth, and gave it a 4.0. Of course, years later, it made their best-of list for the decade. Most people reneged on Andrew because you just can’t deny badassery, especially when it’s delivered in a completely earnest (but slightly exaggerated), multi-instrumental fashion. “Party Hard” is the intro message WK seeks to deliver, and as history has shown, it’s anything but novelty.
Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time.
70. Band of Horses – Is There a Ghost
The first track off Cease to Begin is a great introduction to Band of Horses’ second disc – it’s a beautiful rising track with the simple, repeated lyrics “I could sleep” and “When I lived alone, is there a ghost in my house.” What follows is a near-flawless album that embodies the Southern spirit and indie charm this now-immensely popular group delivers.
Dubstep and Southern rap were meant to be together, or at least they are when A-Trak’s behind the crossfader. His second foray into mixing the two genres is a dance party like no other; stand by for the ending highlight, a mashup of Joker and Yung L.A.
Nathan Williams’ 2009 and 2010 were completely different. The previous year, he was an up-and-comer that crashed and burned publicly; now he is a renewed creative spirit with a diverse, improved sound.
Believe the hype – Yeezy’s fifth album is quite probably his finest work yet. His rapping is smart and funny and his production is characteristically slick. If he keeps making gold, we will continue to put up with his hi-jinks, Internet, interview, or otherwise.
Perhaps the doom and gloom from One Wolf’s self-titled effort has disappeared, but in its place is diverse instrumentation, inescapable pop hooks, and sharp optimism. A sonic collage of indie, Americana, and even metal, this is one that just grows and grows on you.
Lubbock’s elder statesmen etch their place in historic alt-country with this, their fourth and finest album. Daniel Fluitt’s keen storytelling and unmistakable voice lead the listener on a gradual crescendo in under fifty minutes. Give it one listen and observe the injustice – Deer Tick should be opening for these guys by now.
