Culture Greyhound

Today I continue my ongoing feature showcasing my personal picks for the best songs of the past decade, posting ten songs at a time.

140. Primus – Pilcher’s Squad

Sgt. Norman “Nobby” Pilcher was the infamous British police officer best known for planting drugs to frame rock stars and hippies in the 60’s.  Up until getting caught for doing so in 1973, Pilcher managed to collect quite a resume of celebrities in handcuffs, including two Beatles, George Harrison and John Lennon, as well as Mick Jagger and Donovan.  He is the subject of this two-minute ditty found on Primus’ 2003 reunion EP Animals Should Not Try To Act Like People.  The song is wild and weird, all while frontman Les Claypool delivers a fine tale of a corrupt man of the law, breaking only for a two-second solo from guitar virtuoso Larry “Ler” Lalonde (“Go Ler!…..Thanks Ler!”).

Primus – Pilcher’s Squad

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Today I begin a new series of posts dedicated to the best albums of the last decade, posting analysis of one album at a time.

50. The New Pornographers – Electric Version

While Mass Romantic introduced the world to a phenomenal Canadian supergroup, Electric Version transformed the New Pornographers into a solid band all on their own, never mind that the crew consists of some of indie rock’s finest.  Carl Newman’s and Neko Case’s vocal trade-offs provide the highlights for this unforgettable 2003 disc, mostly written by Newman, though Dan Bejar contributed a few memorable nuggets of his own, particularly “Testament to Youth In Verse.”  Still, the gems here are both Newman-penned and Case-sung, including the masterpiece “The Laws Have Changed” and the single “All For Swinging You Around,” which featured an incredible jump-rope music video.

Electric Version gave the already-superb pop craftsmanship of Carl Newman a new standard to beat, and he would rise to the challenge and come close to matching his best with 2005’s Twin Cinema.  Still, this, the New Pornographers’ sophomore effort, is their finest, an earnest, hook-laden, beautiful album that is impossible to stop listening to.

The New Pornographers – The Electric Version

The New Pornographers – The Laws Have Changed

The New Pornographers – All For Swinging You Around

Corin Tucker, formerly of Sleater-Kinney fame, has released her first solo album with her new backing group, and while the results arguably aren’t as revolutionary as the work she put in with her seminal 90’s band, the music is still memorable.

The title track, in particular, shows 1000 Years as an album revealing a revered musician trying brave new things.  The screech of the riot grrl sound is minimal here, as the disc opens with a soft, acoustic-led song and moves to the poppy, jumpy “Half a World Away.”  Still, Tucker’s earnest vocals remain the same, even if she’s well out of her comfort zone.

Her past certainly is utilized, however, but only to further her progression – we can hear the loud punk attitude bleed through this mostly soft, introspective effort, as in tracks “Doubt” and “Riley.”  The ending product, however, is kin of maturation and experimentation rather than merely resembling a strong Kinney B-side.  The ending track, “Miles Away,” is a soulful piano number with a bright Tori Amos quality.

The slower, softer approach may be jarring for some SK purists, but she has certainly come a long way with her sound, and there are still some loud moments that give us an idea of where Corin Tucker has been and, something more exciting, where she’s headed.

The Corin Tucker Band – 1,000 Years

The Corin Tucker Band – Half A World Away

The Corin Tucker Band – Doubt

Dam-Funk – Hood Pass Intact (featuring MC Eiht)

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Lloyd Banks – Start It Up

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Avey Tare – Lucky 1

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Gauntlet Hair – Out, Don’t..

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Wolf Gang – Lions In Cages

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Journalism in the Age of Data from Geoff McGhee on Vimeo.

It’s about an hour long, but I encourage you, especially those of you interested in the future of news, media, and journalism, to take a look at this fascinating short doc on data visualization as the world moves forward from print to digital.

The film, produced during a journalism fellowship at Stanford University, covers a broad range of topics about graphics design for news sources, including a showcase of some of the finest (and most confusing) graphs and charts produced recently.  The main focus is the innovative work the New York Times has done, and some of the world’s brightest minds in this burgeoning medium.  Indeed, as software and data programs become more common and accessible, the art of translating a ton of data into something the average newspaper reader can understand is challenging, intriguing, and creative.

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Last night, while winding down from an amazing evening watching Monsters of Folk at Stubb’s (M. Ward is god, for those not in the know), my friend Derin, acting as evening DJ for our small party, put on the album above – the successful 1981 debut from Men At Work.  It was a wise selection.

Business As Usual is best known for the hits “Who Can It Be Now?” and the would-be litigious nightmare “Down Under.”  It is one of the most successful albums of the early 1980’s (in good company with a little album called Thriller), selling 15 million albums worldwide, 6 million of those stateside.  In the US alone, Business As Usual spent a surprising 15 weeks at #1, and Men At Work remain the only Australian band to score the #1 song (“Down Under”) and #1 album in America simultaneously.

The album is heralded as an 80’s pop classic, obviously, and for good reason.  Main songwriter Colin Hay could certainly craft a pop gem (with the occasional help, it should be noted, from Ron Strykert and Greg Ham) and the album’s contribution to the then-burgeoning New Wave sound is unmatched.

Men At Work – Who Can It Be Now?

Men At Work – Down Under

Men At Work – Be Good Johnny